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Institute of Visual Studies

 
Year Authors Theses Articles Supervisors
2024.06 Xin-Ru LU    “Celebrations Must Continue”— the Visual Connotations in American Vogue’s Christmas Issues during World War II Chia-Hua YEH,
Ph. D
2024.01 Hua-te KO    "Making Oddkin:" Reading My Octopus Teacher and Grizzly Man as Visual Symbiographies Louis LO,
Ph.D
2024.01 Zhi-Yu LIN    Queer Performativity in the Name of the AIDS Prevention: Chi Chia-Wei's Street Actions and Camp in the Early 1990s Jui-Ch'i LIU,
Ph. D
2023.07 Peng WANG    Raising a Good Girl: A Study on the Paper Doll Feature of             McCall’s Magazine             in 1950s America    Chia-Hua YEH,
Ph. D
2023.07 Yu-Wen HUANG      On the Hidden Camp Strategy and Artistic Practice of Sexual Minorities in the Artworks of Wu Tien-Chang       Jui-Ch'i LIU,
Ph. D
2022.07 Chen-Ai HUANG Beyond Abjection: A Study on Andres Serrano’s
The Morgue
Jui-Ch'i LIU,
Ph. D
2022.07 Hui-chun CHUNG Performing Labour Gracefully: Images of Domestic
Women in Philip Mercier (1691-1760)’s The Elements
Kuei-ying Huang,
Ph.D
2022.07 Meng-chin CHU  "Healthy Realism" and the Cinema of Attractions: Rethinking Sea
Girl Movies and Taiwan Cinema in the 1950s-1960s
Hwa-jen Tsai,
Ph.D

Kuei-ying 
Huang,
Ph.D
2022.07 Chuan-Yi DING Three Types of Invisibility: Exploring the Anamorphic
City in Johnnie To's PTU
Louis LO,
Ph.D
2022.07 Tung-Yu LU Imperial Harem without Internalization, Tianxia without Externalization:Exploring the Imaginations of “Gender/Sexualities—Home/Nation” and the Assemblages of “Species—Kingdom” in the Vein of Politics in Visual Cultures in  Empress in the Palace and Ruyi's Royal Love in the Palace  Lucifer Hung,
Ph.D
Kuei-Ying HUANG, 
Ph. D
2021.10 Yi-Jun PAN The Beauty in “Savage”: Imperial Identity and Taiwanese Aboriginal Artifacts in the Japan–British Exhibition of 1910 Kuei-Ying HUANG, 
Ph. D
2020.02 Pei-Jung CHEN The Doctored Views: On Pictures of Anorexia Nervosa in 19th Century Britain Medical Periodicals Jui-Ch'i LIU,
Ph. D
Shang-Jen LI,
Ph. D
2020.02 Chang-Ling HSU A Microscopic Worldview of Corporeal Permeability and Neo Culture Technology: Bodily and Medial Crossings in K-Pop Music Videos Chia-Hua YEH,
Ph. D
2020.01 Yu-Wen KONG A Post-colonial Reading of Walis Labai’s “The Invisible Project” Jui-Ch'i LIU,
Ph. D
2019.08 Chia-Wei YANG YÙNDÒNG: Dress of Male Politicians for Election Campaigns in Taiwan Chia-Hua YEH,
Ph. D
2019.07 Bo-Cheng WU The Repressed Mo-tif: A Thesis on the Heterosexual Female Sexuality in the Gay Teenage Films Jui-Ch'i LIU,
Ph. D
2019.02 Judy DONG Imagining the Ancient Egypt: Egyptian Display in the British Museum and Popular Culture, 1821-1854 Kuei-Ying HUANG,
Ph. D
2018.07 Ting-Yi JHONG Visual and Gender Excesses in Wong Kar-wai’s Fallen Angels: A Critical Analysis with Feminist Film Theories Jui-Ch'i LIU,
Ph. D
2017.11 Yu-An HUANG A Preliminary Study of Landscape Pictures of Colonial Hong Kong, 1842-1860 Kuei-Ying HUANG,
Ph. D
2016.08 Liang-Kai YU Picturing Bath: Sebald Beham's Fountain of Youth-Bathhouse Woodcut and Its Image Tranfer in Sixteenth Century Germany Chia-Hua YEH,
Ph. D