| Year |
Authors |
Theses Articles |
Supervisors |
| 2024.06 |
Xin-Ru LU |
“Celebrations Must Continue”— the Visual Connotations in American Vogue’s Christmas Issues during World War II |
Chia-Hua YEH,
Ph. D |
| 2024.01 |
Hua-te KO |
"Making Oddkin:" Reading My Octopus Teacher and Grizzly Man as Visual Symbiographies |
Louis LO,
Ph.D |
| 2024.01 |
Zhi-Yu LIN |
Queer Performativity in the Name of the AIDS Prevention: Chi Chia-Wei's Street Actions and Camp in the Early 1990s |
Jui-Ch'i LIU,
Ph. D |
| 2023.07 |
Peng WANG |
Raising a Good Girl: A Study on the Paper Doll Feature of McCall’s Magazine in 1950s America
|
Chia-Hua YEH,
Ph. D |
| 2023.07 |
Yu-Wen HUANG |
On the Hidden Camp Strategy and Artistic Practice of Sexual Minorities in the Artworks of Wu Tien-Chang
|
Jui-Ch'i LIU,
Ph. D |
| 2022.07 |
Chen-Ai HUANG |
Beyond Abjection: A Study on Andres Serrano’s
The Morgue |
Jui-Ch'i LIU,
Ph. D |
| 2022.07 |
Hui-chun CHUNG |
Performing Labour Gracefully: Images of Domestic
Women in Philip Mercier (1691-1760)’s The Elements |
Kuei-ying Huang,
Ph.D |
| 2022.07 |
Meng-chin CHU |
"Healthy Realism" and the Cinema of Attractions: Rethinking Sea
Girl Movies and Taiwan Cinema in the 1950s-1960s |
Hwa-jen Tsai,
Ph.D
Kuei-ying Huang,
Ph.D |
| 2022.07 |
Chuan-Yi DING |
Three Types of Invisibility: Exploring the Anamorphic
City in Johnnie To's PTU |
Louis LO,
Ph.D |
| 2022.07 |
Tung-Yu LU |
Imperial Harem without Internalization, Tianxia without Externalization:Exploring the Imaginations of “Gender/Sexualities—Home/Nation” and the Assemblages of “Species—Kingdom” in the Vein of Politics in Visual Cultures in Empress in the Palace and Ruyi's Royal Love in the Palace |
Lucifer Hung,
Ph.D
Kuei-Ying HUANG,
Ph. D |
| 2021.10 |
Yi-Jun PAN |
The Beauty in “Savage”: Imperial Identity and Taiwanese Aboriginal Artifacts in the Japan–British Exhibition of 1910 |
Kuei-Ying HUANG,
Ph. D |
| 2020.02 |
Pei-Jung CHEN |
The Doctored Views: On Pictures of Anorexia Nervosa in 19th Century Britain Medical Periodicals |
Jui-Ch'i LIU,
Ph. D
Shang-Jen LI,
Ph. D |
| 2020.02 |
Chang-Ling HSU |
A Microscopic Worldview of Corporeal Permeability and Neo Culture Technology: Bodily and Medial Crossings in K-Pop Music Videos |
Chia-Hua YEH,
Ph. D |
| 2020.01 |
Yu-Wen KONG |
A Post-colonial Reading of Walis Labai’s “The Invisible Project” |
Jui-Ch'i LIU,
Ph. D |
| 2019.08 |
Chia-Wei YANG |
YÙNDÒNG: Dress of Male Politicians for Election Campaigns in Taiwan |
Chia-Hua YEH,
Ph. D |
| 2019.07 |
Bo-Cheng WU |
The Repressed Mo-tif: A Thesis on the Heterosexual Female Sexuality in the Gay Teenage Films |
Jui-Ch'i LIU,
Ph. D |
| 2019.02 |
Judy DONG |
Imagining the Ancient Egypt: Egyptian Display in the British Museum and Popular Culture, 1821-1854 |
Kuei-Ying HUANG,
Ph. D |
| 2018.07 |
Ting-Yi JHONG |
Visual and Gender Excesses in Wong Kar-wai’s Fallen Angels: A Critical Analysis with Feminist Film Theories |
Jui-Ch'i LIU,
Ph. D |
| 2017.11 |
Yu-An HUANG |
A Preliminary Study of Landscape Pictures of Colonial Hong Kong, 1842-1860 |
Kuei-Ying HUANG,
Ph. D |
| 2016.08 |
Liang-Kai YU |
Picturing Bath: Sebald Beham's Fountain of Youth-Bathhouse Woodcut and Its Image Tranfer in Sixteenth Century Germany |
Chia-Hua YEH,
Ph. D |
Institute of Visual Studies