Faculty

Name	Jui-Ch’i LIU
Academic Position	Professor
Research Interests	Photography Studies, Gender and Visual Cultures (Visual Arts, Photography, Fashion, Film), European/American Modern and Contemporary Art, Art and Critical Theories, Medicine’s Visual Cultures
Email
Office Tel No.	02-2826-7000 ext.67207
Personal Website	http://liujc.lab.nycu.edu.tw

Academic Qualifications (學歷)

1999.8　Ph.D., History of Art Department, Bryn Mawr College
1996.8　M.A., History of Art Department, Bryn Mawr College
1993.6　M.A., Graduate Institute of Art History, National Taiwan University
1990.6　B.A., Foreign Language and Literature Department, National Taiwan University

Working Experiences (經歷)

2022.1- Convener in The Arts Discipline, Department of Humanities and Social Sciences, Ministry of Science and Technology, National Science and Technology Council, Taiwan
2019.1-2021.12 Co-convener in The Arts Discipline, Department of Humanities and Social Sciences, Ministry of Science and Technology, Taiwan
2013.8-2019.7　Professor and Chair, Graduate Institute for Studies in Visual Cultures, National Yang-Ming University (Founding Director)
2013.8-2019.7　Director, Division of Yang Ming University, International Program in Inter-Asia Cultural Studies, University System of Taiwan
2012.8-2013.7　Associate Professor and Director (prep. office), Graduate Institute for Studies in Visual Cultures, National Yang-Ming University
2009.8-2012.7　Associate Professor, School of Humanities and Social Sciences, National Yang-Ming University　
2006.2-2009.7　Associate Professor, Center for General Education/ Institute of Sociology, National Tsing Hua University
2005.8-2006.1　Associate Professor, Center for General Education, National Tsing Hua University
2003.8-2005.7　Associate Professor, Institute of Art Studies, National Cheng Kung University
1999.8-2003.7　Assistant Professor, Institute of Art Studies, National Cheng Kung University

Honours & Awards (榮譽與獎勵)

2023.8-2025.7 Faculty Award of Special Excellence, National Yang Ming Chiao Tung University
2017.8-2019.7 Distinguished Professor
2017.8-2019.7 Faculty Award of Special Excellence, National Yang Ming University
2015.8-2017.7 Faculty Award of Special Excellence, National Yang Ming University
2013.8-2015.7 Faculty Award of Special Excellence, National Yang Ming University
2013 101 Annual Excellent Teacher Award, National Yang Ming University
2012 Distiguished Award for General Eduation Teachers, Minstry of Education, Taiwan
2011.8-2013.7 Faculty Award of Special Excellence, National Yang Ming University
2011.8-2013.10 Excellent Projects for Young Scholars, National Science Council
2010.8-2011.7 Faculty Award of Special Excellence, National Science Council
2007 Faculty Award for Academic Excellence, National Tsing Hua University
2006 Faculty Award for Academic Excellence, National Tsing Hua University
2006 The Ninth Annual Research Award of New Faculty, National Tsing Hua University
2004 Academia Sinica Research Award for Junior Research Investigators
Fall 2004 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
Spring 2004 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
Fall 2003 Distinguished Project, General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan.
Fall 2002 Best Teacher Awards, General Education, National Cheng Kung University
2000.8-2001.7 Research Award, National Science Council
1999.8-2000.7 Research Award, National Science Council
1997.8-1998.7 Dissertation Fellowships for ROC Students Abroad, Chiang Ching-Kuo Foundation for International Scholarly Exchange
1996.8-1997.7 Asian Cultural Council Fellowship
1993.8-1996.7 Grant for Studying Abroad on Government Funds, Ministry of Education, Taiwan

Journal Articles (期刊論文)

Jui-Ch’i Liu, “Celebrating Glamorous Camp: Nan Goldin’s Photographs of Drag Queens in the Early 1970s,” in Journal of Art Studies, 29 (Dec. 2021), pp. 119-177. (in Chinese)
March 2021, Jui-Ch'i Liu, “Female Desire and Transformed Masculinity: Imogen Cunningham’s Photographs of the Male Nude,” in Concentric: Literary and Cultural Studies, 47: 1, pp. 179-210.【A&HCI】
Jui-Ch'i Liu, “Creating the Feminine/Maternal Jouissance in Potential Space: The Art of Dorothea Tanning,” in Taida Journal of Art History, 46 (March 2019), pp. 175-222. (in Chinese) 【A&HCI】
Winter 2015, Jui-Ch'i Liu, “Beholding the Feminine Sublime : Lee Miller’s War Photographs,” in Signs : Journal of Women in Culture and Society, 40: 2, pp. 308-19.【A&HCI】
Jui-Ch'i Liu, “The Feminine Sublime,” in Router: A Journal of Cultural Studies, 17 (Fall 2013), pp. 87-122. (in Chinese)
Jui-Ch'i Liu, “Camera as Weapon: Tina Modotti’s Revolutionary Photography,” in Taida Journal of Art History, 34 (Mar. 2013), pp. 163-228. (in Chinese)
Jui-Ch'i Liu, “Calling the Hidden Name of the Female Dandy?: Berenice Abbott’s Portrait photographs of the Lesbian Writers in the 1920s,” in Router: A Journal of Cultural Studies, 13 (Fall 2011), pp. 7-56. (in Chinese)
Jui-Ch'i Liu, “Helen Levitt’s Photography of Female Flânerie,” in Chung Wai Literary Monthly, 39: 2 (Jun. 2010), pp. 91-141. (in Chinese)
Feb. 2010, Jui-Ch'i Liu, “Female Spectatorship and the Masquerade: Cindy Sherman’s Untitled Film Stills,” in History of Photography, 34: 1, pp. 79-89. 【A&HCI】
Jui-Ch'i Liu, “Diane Arbus’s Halloween of Wonder: The Re-enchantment and Communitas of Women with Down’s Syndrome,” in Taida Journal of Art History, 26 (Mar. 2009), pp. 93-134. (in Chinese)
Jui-Ch'i Liu, “Between Voyeurism, Seduction, and Confrontation: Mary Ellen Mark’s Ward 81,” in Taiwanese Journal for Studies of Science, Technology and Medicine, 4 (Apr. 2007), pp. 109-149. (in Chinese)
Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Taida Journal of Art History, 17 (Sep. 2004), pp. 191-226. (in Chinese)
Spring/ Summer 2004, Jui-Ch'i Liu, “Francesca Woodman’s Self-Images: Transforming Bodies in the Space of Femininity,” in Woman’s Art Journal, 25: 1, pp. 26-31. 【A&HCI】
Jui-Ch'i Liu, “Cindy Sherman’s Grotesque Parody,” in Chung Wai Literary Monthly, 32: 7 (Dec. 2003), pp. 65-99. (in Chinese)
Jui-Ch'i Liu, “Desperately Seeking Female Spectators: Cindy Sherman’s Untitled Film Stills,” in Journal of Women’s and Gender Studies, 15 (May 2003), pp. 153-193. (in Chinese)
Jui-Ch'i Liu, “Mirroring a Jewish Lesbian’s Identity: Self-representation by Claude Cahun,” in Humanitas Taiwanica, 55 (Nov. 2001), pp. 165-212. (in Chinese)
Jui-Ch'i Liu, “The State of Research in Postwar American Abstract Painting,” in Taida Journal of Art History, 9 (Sep. 2000), pp. 207-237. (in Chinese)
Jui-Ch'i Liu, “Feminist Approaches to Art History,” in Research on Women in Modern Chinese History, 8 (Jun. 2000), pp. 195-235. (in Chinese)

Monographs & Book Chapters (專書與專書論文)

Jui-Ch'i Liu, “Calling the Hidden Name of the Female Dandy?: Berenice Abbott’s Portrait photographs of the Lesbian Writers in the 1920s,” in Image and Difference: Visual Cultural Studies and Politics, ed. Pin-chia Feng (Taipei: Bookman, 2016), pp. 165-224. (in Chinese)
Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Contesting the Meanings of Modern Portraiture, ed. Jui-Ch'i Liu (Taipei: Yuan-Liou, 2012), pp. 18-59. (in Chinese)
Jui-Ch'i Liu, “Diane Arbus's Halloween of Wonder: The Re-enchantment and Communitas of Women with Down's Syndrome,” in (In)Sight: Visual Culture and Aesthetics, ed. Pin-chia Feng and Shun-Liang Chao (Taipei: Bookman, 2010), pp. 267-302. (in Chinese)
Jui-Ch'i Liu, Feminine Masquerade: Self-representations by Women Photographers (Taipei: Yuan-Liou, 2004). (in Chinese)
Jui-Ch'i Liu, “Francesca Woodman's Body Art,” in Changing Bodies: Concepts and Images of the Body in Western Art, ed. Shai-Shu Tzeng (Taipei: SMC, 2004), pp. 239-264. (in Chinese)
Jui-Ch'i Liu, “Sexual and Racial Identities in Florine Stettheimer's self-representation,” in Journey of Healing: Women’s Spirituality and Artistic Representations, ed. Ying-ying Chien (Taipei: Fembooks, 2003), pp. 77-105. (in Chinese)
Jui-Ch'i Liu, Carnival Culture and the Engendering of Florine Stettheimer, Ph.D. dissertation, Bryn Mawr College (May 1999).

Book Edited (主編之專書)

Jui-Ch'i Liu, “Introdution,” in Contesting the Meanings of Modern Portraiture, ed. Jui-Ch'i Liu (Taipei: Yuan-Liou, 2012), pp. 6-15. (in Chinese)

Other Publication (其他著作)

Jui-Ch'i Liu, “The Illusion of Reality: Jerry Uelsmann’s Photography of Post-Visualization,” in Whispers of Blended Shadows: The Art of Jerry Uelsmann (Taipei: Taipei Fine Arts Museum, 2008), pp. 28-31. (in Chinese)
Jui-Ch'i Liu, “The Body Art of Francesca Woodman,” in Light, 2 (Nov. 2006), pp. 34-41. (in Chinese)
Jui-Ch'i Liu, “On the General Education Course: Introduction to Modern and Contemporary Art,” in General Education on Line, 5 (Jul. 2006), pp. 58-60. (in Chinese)
Jui-Ch'i Liu, “Foreword: Models of Women Reshaping Art History,” in Linda Nochlin, tran. H. C. Yu, Women, Art, and Power: and Other Essays (Taipei: Yuan-Liou Publishing, 2005), pp. i-v. (in Chinese)
Jui-Ch'i Liu, “A Brief Introduction to the Emerging Field of Feminist Visual Cultural Studies—Research on Female Photographers,” in Bulletin of Women and Gender Studies, 64 (Sep. 2002), pp. 42-43. (in Chinese)
Jui-Ch'i Liu, “Edgar Degas in the eyes of Women, Women in the eyes of Edgar Degas,” in Con-Temporary Monthly, 139 (Mar. 1999), pp. 102-115. (in Chinese)

Translation (翻譯)

From English to Chinses: Steven Z. Levine, “Face Painting: Self-Representation in France from Montaigne and Poussin to Duchamp and Lacan,” in Changing Bodies: Concepts and Images of the Body in Western Art, ed. Shai-Shu Tzeng (Taipei: SMC, 2004), pp. 111-129.

Conference Papers (研討會論文)

Jui-Ch'i Liu, “ Dorothea Tanning’s Transitional Objects,” in Surrealisms 2023: 5th Annual Conference of the International Society for the Study of Surrealism (ISSS), Museum of Fine Arts, Houston, the Menil Collection, University of Houston, and Rice University, Texas, USA, Nov. 9-11, 2023.
Jui-Ch'i Liu, “Feminist Politics of Affect and Trauma in the Early Self-Representations by Nan Goldin,” in 7th Feminist Art History Conference, American University, Washington, D.C., USA, Sep. 24-26, 2021.
Jui-Ch'i Liu, “Female Desire and Transformative Masculinity: Imogen Cunningham's Photographs of the Male Nude in On Mount Rainier series (1915),” in 11th International Conference on The Arts in Society, UCLA, Los Angeles, USA, Aug. 10-12, 2016.
Jui-Ch'i Liu, “Looking at the Performance of Male Bodies in Landscape: Imogen Cunningham's Photographs of the Male Nude,” in 2013 International Conference on Performativity of Visual Cultures, National Yang Ming Univetsity, Dec. 14, 2013. (in Chinese)
Jui-Ch'i Liu, “Beholding the Feminine Sublime: Lee Miller’s War Photography,” in 4th Annual International Conference on Visual and Performing Arts, Athens, Greece, June 3-4, 2013
Jui-Ch'i Liu, “Calling the Hidden Name of the Female Dandy?: Berenice Abbott's Portrait Photographs of the Lesbian Writers in the 1920s,” in 2011 International Conference on Visual Culture, National Yang Ming Univetsity, Dec. 3-4, 2011.
Jui-Ch'i Liu, “Berenice Abbott's Photography of New York Flânerie,” in International Conference on Visuality and Cultural Literacy, National Central University, Jhongli, Taiwan, Dec. 12-13, 2009. (in Chinese)
Jui-Ch'i Liu, “Between Voyeurism, Seduction, and Confrontation: The Alternative Archive of Mary Ellen Mark’s Ward 81,” in Visuality, Memory, Collection Conference, National Taichung University of Education, Taichung, Taiwan, May 27-28, 2006. (in Chinese)
Jui-Ch'i Liu, “Marginal Perspectives: Mary Ellen Mark's Photographs of Prostitutes in Falkland Road, Bombay,” in 9th International Conference on Women, Ewha Woman's University, Seoul, Korea, Jun. 19-24, 2005.
Jui-Ch'i Liu, “Maternal Fetishism in Sally Mann’s Photographs of Her Children,” in Annual Conference of Cultural Studies, Taipei, Taiwan, Jan. 3-4, 2004. (in Chinese)
Jui-Ch'i Liu, “Desperately Seeking Female Spectators: Cindy Sherman’s Untitled Film Stills,” in Art and Identity International Conference, organized by the Project of Western Art History Studies Sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan, Oct. 3-5, 2003. (in English and Chinese)
Jui-Ch'i Liu, “Francesca Woodman’s Body Art,” in Changing Bodies: Concepts and Images of the Body in Western Art International Conference, organized by the Project of Western Art History Studies Sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan, Mar. 31-Apr. 2, 2002. (in English and Chinese)
Jui-Ch'i Liu, “Sexual and Racial Identities in Florine Stettheimer’s self-representation,” in Journey of Healing: Women’s Spirituality and Artistic Representations International Conference, Taipei, Taiwan, Nov. 10-12, 2000. (in Chinese)

NSTC／MOST Research Project (國科會／科技部計劃)

2021-2024 A Study on Ana Mendieta's Artworks
2019-2021　A Study on Nan Goldin’s Photography
2017-2019　A Study of Annie Leibovitz’s Celebrity Photography
2016-2017　Exploring Dorothea Tanning’s Artworks
2015-2016　Tracing Gender and Ethnic Identities in Eva Hesse’s culpture
2014-2015　Alice Austen's Photography of the New Women and the Immigrants
2013-2014　Reconsidering Francesca Woodman's Self-representations
2011-2013　A Study of Lee Miller's Surrealist and War Photography
2010-2013　Book Purchase Project for the Humanities and Social Sciences: Art Theories
2010-2011　A Study of Imogen Cunningham's Nude Photography
2009-2010　John Thomson’s Photographs of Taiwan and China
2008-2009　A Study of Dorothea Lange’s Documentary Photography
2007-2008　Art and Revolution: Tina Modotti's Photography
2006-2007　Flâneuse’s Perspective of the New York City and Female Dandy: Berenice Abbott's Photography
2005-2006　The Flâneuse Helen Levitt's photography of the New York City
2004-2005　Marginal Perspectives: Mary Ellen Mark’s Photography
2003-2004　The Grotesque Freaks and Maskers: Diane Arbus’s Photography
2002-2003　Sally Mann’s Photography of Children and Adolescents
2001-2002　Self-representations by Francesca Woodman
2000-2001　Self-representations by Cindy Sherman
1999-2000　The Androgynous Imagery by Dada and Surrealist Women Artists

Other Grants (其他計劃)

Spring 2009 Project for General Education Courses: D. Promotion of Excellent Courses, Advisory Office, Ministry of Education, Taiwan (The Leading Excellent Course)
Fall 2004 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
Spring 2004 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan
Fall 2003 General Education Section, Project for the Enhancement of Education in the Humanities and Social Sciences, Advisory Office, Ministry of Education, Taiwan

Courses Taught (教授課程)

National Yang-Ming University (Fall 2009-present)
　I. Graduate Seminar:
　　1. Visual Studies: Theories and Practices
2. Seminar in Modern and Contemporary Art
　　3. Seminar in Gender and Film
　　4. Surrealism: Art, Image, and Fashion
　　5. Seminar on Stardom, Perfomance, and Visual Cultures
　　6. Seminar in Social History of Photography
　　7. Body and Masquerade in Modern and Contemporary Visual Cultures
　　8. Methods and Theories of Art History
　　9. Technology, Bodies, and Otherness in Modern Visual Cultures
　 10. Seminar: Social History and Sociology of Visual of Visual Cultures
　II. General Education Core Courses:
　　1. Modern Visual Culture
　　2. History of Images and Gender
　　3. Photography and Modern Civilization
　III. General Education Selective Courses:
　　1. History of Western Painting

Theses Supervised (論文指導)

...........，張凱涵，進行中。
...........，許雯茜，進行中。
...........，王嘉笙，進行中。
2023.12 Zhi-Yu Lin, Queer Performativity in the Name of the AIDS Campaigns: Chi Chia-Wei’s Street Actions and Camp in the Early 1990s, MA Thesis, Institute of Visual Studies, National Yang Ming Chiao Tung University
2023.7 Yu-Wen Huang, On the Hidden Camp Strategy and Artistic Practice of Sexual Minorities in the Artworks of Wu Tien-Chang , MA Thesis, Institute of Visual Studies, National Yang Ming Chiao Tung University
2022.7 Chen-Ai Huang, Beyond Abjection: A Study on Andres Serrano’s The Morgue, MA Thesis, Institute of Visual Studies, National Yang Ming Chiao Tung University
2020.2 Pei-Jung Chen, The Doctored Views: On Pictures of Anorexia Nervosa in 19th Century Britain Medical Periodicals, MA Thesis, Graduate Institute for Studies in Visual Cultures, National Yang Ming University (co-supervised with Shang Jen Li)
2020.1 Yu-Wen Kong, A Post-colonial Reading of Walis Labai's "The Invisible Project", MA Thesis, Graduate Institute for Studies in Visual Cultures, National Yang Ming University
2019.7 Ya Chen Zhou, Cindy Sherman’s History Portraits and the Spectatorship of Feminist Camp and Queer Camp, MA Thesis, Department of History, National Chengchi University (co-supervised with Jane-Chuang Ju)
2019.7 Bo-Cheng Wu, The Repressed Mo-tif: A Thesis on the Heterosexual Female Sexuality in the Gay Teenage Films, MA Thesis, Graduate Institute for Studies in Visual Cultures, National Yang Ming University
2018.7 Ting-Yi Jhong, Visual and Gender Excesses in Wong Kar-wai’s Fallen Angels: A Critical Analysis with Feminist Film Theories, MA Thesis, Graduate Institute for Studies in Visual Cultures, National Yang Ming University
2015.6 Kuang-Yi Ku, A Study of “The Fellatio Modification Project” by Kuang-Yi Ku, MA Thesis, Department of Dentistry, National Yang Ming University (co-supervised with Yuan-Min Lin) (First Prize, 2015 10th Taipei Digital Art Festival Awards)
2010.6 Kuan-Hua Chen, The Magical Water: On the Mother’s Absence in Chang Tso-Chi’s The Best Of Times, MA Thesis, Institute of Art Studies, National Cheng Kung University
2010.1 Hao-Ching Hsu, The Photography of Taiwan Betel-nut Beauties: A Study, MA Thesis, Institute of Art Studies, National Cheng Kung University
2009.6 Hyueh-Ming Chung, The Politics of Postmodernist Film－EmirKusturica’s When Father Was Away on Business, Time of the Gypsies and Underground, MA Thesis, Institute of Art Studies, National Cheng Kung University
2008.6 Ai-Jane Huang, A Study of the Female Subject in Su-Hsia Hsu's Picturebook, “Mom,It's Sunny Outside!,” MA Thesis, Institute of Art Studies, National Cheng Kung University
2008.6 I-Pei Tu, The Feminist Camp in Tsai Ming-Liang's The Hole and The Wayward Cloud, MA Thesis, Institute of Art Studies, National Cheng Kung University
2008.1 Tz-Ling Lai, Black Sisters: A Study of the African-American Female Subjectivity in Faith Ringgold's French Collection, MA Thesis, Institute of Art Studies, National Cheng Kung University
2007.6 Huang Chu, A Study of Long Fa Tang’s Photography, MA Thesis, Institute of Art Studies, National Cheng Kung University
2007.6 Shih-Hang Chou, The Spectacle of Grotesque: The Trilogy of Wu Tien-Chang's Works, MA Thesis, Department of Foreign Languages and Literatures, National Chiao Tung University (co-supervised with I-Chu Chang)
2007.6 Zheng Yanlin, The Violent Aesthetics in Francis Bacon’s Painting: Body, Space, and Identity, Outstanding National Science Council Project for College Students
2007.1 Chia-Chi Wu, A Study of the “Diagram of Commotion and Desire” by Kuo Wei-Kuo, MA Thesis, Institute of Art Studies, National Cheng Kung University
2006.6 Hui-Yin Chung, The Power of the Female Gaze in Sally Potter’s Thriller, Orlando and The Tango Lesson, MA Thesis, Institute of Art Studies, National Cheng Kung University
2006.6 Fang-Yu Su, Peripatetic without Hesitation ─Illustrating Yang Mao-Lin’s Cultural Identities with Exploring his “MADE IN TAIWAN: CULTURE PAGE,” MA Thesis, Institute of Art Studies, National Cheng Kung University
2005.6 Fang-Lan Wen, Reclaiming the Matriarchy ─A Study of the Paintings by Leonora Carrington, MA Thesis, Institute of Art Studies, National Cheng Kung University
2005.6 Jeng-Jei Huang, A Study of Hans Bellmer’s Doll Photography, MA Thesis, Institute of Art Studies, National Cheng Kung University
2005.6 Ya-Chie Yuang, A Study of Alchemic Images by Leonora Carrington and Remedios Varo, MA Thesis, Institute of Art Studies, National Cheng Kung University
2005.6 Kun-Fen Tsai, The Construction of Masculinity in Pu-Liao Hsu's Comedy Movies, MA Thesis, Institute of Art Studies, National Cheng Kung University
2004.1 Chen-Yi Chien, Confinement and Transgression: Madwoman in Mary Ellen Mark's “Ward 81,” MA Thesis, Institute of Art Studies, National Cheng Kung University
2004.1 Xiu-Hui Guan, The Bodily Images of Transgessing the Social System: Hou Jun–Ming’s Sou Shen Ji and Chen Jie-Ren’s Hun Po Bao Luan, MA Thesis, Institute of Art Studies, National Cheng Kung University
2003.6 Yi-Hsuan Yeh, A Study of Berenice Abbott's New York Photographs, MA Thesis, Institute of Art Studies, National Cheng Kung University
2003.6 Yun-Yi Lee, A Study of Gender and Ethnic Identity in the Paintings of the Bunun Female Artist Ebu, MA Thesis, Institute of Art Studies, National Cheng Kung University
2003.6 Ai-Chuan Tuan, All About Performance: Camp Esthetics in Pedro Almodovar's Films, MA Thesis, Institute of Art Studies, National Cheng Kung University
2002.6 Chin-Wen Kang, The Death of Male Subjectivity in American Beauty and Fight Club, MA Thesis, Institute of Art Studies, National Cheng Kung University
2002.6 Chia-Chi Chen, The Anxiety of Representing the Other and Reflecting the Self: Guan Xiao-Rong’s Photographs of Lanyu, MA Thesis, Institute of Art Studies, National Cheng Kung University
2001.1 Liang Chun Chin, Homosexuality in the Painting of Shiy-De-Jinn, MA Thesis, Institute of Art Studies, National Cheng Kung University

Academic Services (學術服務)

2022.7-　Editor, Journal of Women's and Gender Studies
2022.1-　Consultation Committee Member, Center for the Advancement of the Humanities and Social Science, National Taiwan University
2019.1-　Editor, Taida Journal of Art History
2008.1-　Editor, Journal of Art Studies
2018.4.10-13　Organizer of the First Yang Ming Humanities and Social Science Seminar: Hsiao-hung Chang
2012.7-2014.3　Vice Director of the International Center for Cultural Studies, University System of Taiwan (Convener of Visual Culture Research Group and Yang Ming Office)
2011.1-2012.6　Convener of Visual Culture Research Group and Yang Ming Office, Preparatory Office of the International Center for Cultural Studies, University System of Taiwan
2011.12.3-4　　Director (with Wenchi Lin as Directors) of International Conference on Visual Culture at National Yang Ming University, Taiwan
2010 Convener of Yang Ming Office, Project of Cultural Studies, University System of Taiwan
2010.8.9-11　　Director of Visual Culture Workshop, National Yang-Ming University, sponsored by The Center for Humanities Research of the National Science Council and by Yang-Ming Office of Cross-Campus Program in Cultural Studies, University System of Taiwan
2006.5.27-28　Co-director of Visuality, Memory, Collection Conference, National Taichung University of Education, Taichung, Taiwan, sponsored by National Science Council
2003.10.18-19　Organizer of “Urban Art History” workshop, National Cheng Kung University, sponsored by National Science Council
2000-05　　　Committee Member, Project of Western Art History Studies, sponsored by National Science Council at the National Taiwan Normal University, Taipei, Taiwan.

NYCU Institute of Visual Studies

Institute of Visual Studies Institute of Visual Studies