<NewsOpenDataModel><subject>&lt;![CDATA[【視文所演講公告】A Cinema of Free Association: The Dual Operations of Puerto Rican State-Sponsored Film]]&gt;</subject><dataClassName>學術演講</dataClassName><pubUnitName/><posterDate/><updateDate/><detailContent>&lt;![CDATA[&lt;div class="ed_model03 clearfix">&#xd;
&lt;div class="ed_pic_left">&lt;img alt="A Cinema of Free Association" src="/userfiles/svcch/images/20260427122053019.png" />&lt;/div>&#xd;
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&lt;div class="ed_title01">演講題目：A Cinema of Free Association: The Dual Operations of Puerto Rican State-Sponsored Film&lt;br />&#xd;
主講人：&lt;/div>&#xd;
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&lt;div class="ed_title01">Prof. Pedro Noel Doreste Rodr&amp;iacute;guez (Department of English, Michigan State University)&lt;br />&#xd;
時間：2026年5月7日（四），12:20 - 15:20&lt;br />&#xd;
地點：知行樓後棟322會議室（陽明校區）&lt;br />&#xd;
講座摘要：&lt;br />&#xd;
A Cinema of Free Association: The Dual Operations of Puerto Rican State-Sponsored Film, re-routes the global film cultures and currents of the midcentury through Puerto Rico&amp;#39;s Division of Community Education (hereafter referred to as the &amp;quot;DivEdCo&amp;quot;) to retroactively map a Caribbean presence in the emergence of the cinematic new waves of the 1960s.&amp;nbsp;Their films, mainly focused on civic education and economic development, have often been dismissed a propaganda. Contrary to this established history, this project shows how individual artists worked through and at the margins of their institution&amp;#39;s demands to make an internationalist, pan-American cinema, thus re-attaching this new idea of a wayfaring Puerto Rican cinema of the midcentury to broader discourses in both North Atlantic and Latin American film histories.&lt;/div>&#xd;
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