{"subject":"【視文所演講公告】香港大學Giorgio Biancorosso教授講座11/22","dataClassName":null,"pubUnitName":null,"posterDate":null,"updateDate":null,"detailContent":"
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\"香港大學Giorgio
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【演講公告｜香港大學Giorgio Biancorosso教授講座】
\r\n本所邀請香港大學音樂學系Giorgio Biancorosso教授訪臺，11月22日將於飛地書店舉辦其最新學術專著《混音王家衛：音樂、拼貼與遺忘美學》發表會，並特邀該書中文版譯者陳智廷助理教授與談，歡迎報名參與！
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\r\n👉 Remixing Wong Kar-wai: Music, Bricolage, and the Aesthetics of Oblivion
\r\n時間 Date｜2025.11.22 (Sat.) 14:00-16:00
\r\n地點 Venue｜飛地書店 Nowhere Bookstore（臺北市萬華區中華路一段170-2號）
\r\n主講人 Speaker｜Prof. Giorgio Biancorosso（香港大學音樂學系教授 Professor, Department of Music, The University of Hong Kong)
\r\n主持人 Host｜勞維俊 Dr. Louis Lo（國立陽明交通大學視覺文化研究所副教授 Associate Professor, Institute of Visual Studies, NYCU）
\r\n與談人 Discussant｜陳智廷 Dr. Timmy Chih-Ting Chen (香港都會大學人文及社會科學院文化研究助理教授 Assistant Professor, Cultural Studies in the School of Arts and Social Sciences, Hong Kong Metropolitan University)
\r\n報名表單 Registration Link｜https://forms.gle/CVpm5TKzhc5B1CRT9
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\r\n講座摘要 Abstract
\r\nThis talk focuses on Professor Giorgio Biancorosso latest monograph Remixing Wong Kar-wai:
\r\nMusic, Bricolage, and the Aesthetics of Oblivion (Duke University Press, 2025), with its Chinese edition scheduled for release next month. The event features a conversation between the author and the translator.
\r\nLike his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong's cinema to retheorize musical borrowing, appropriation, and repurposing.
\r\nWong's irrepressible penchant for poaching music from other films-whether old Chinese melodramas, Hollywood blockbusters, or European art films-subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss's concept of bricolage, Biancorosso contends that Wong's borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Won's modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond.
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\r\n＊ 免費入場，請填寫報名表單 Free admission. Please fill out the form above to complete your registration.
\r\n＊ 演講將以英文進行 This talk will be conducted in English.
\r\n＊ 本活動由陽明交通大學視覺文化研究所主辦，經費由教育部高等教育深耕計畫補助 This event is organized by the Institute of Visual Studies, National Yang Ming Chiao Tung University, and funded by the Ministry of Education’s Higher Education Sprout Project.
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