勞維俊 副教授

003
勞維俊
職稱：副教授
 連絡電話：02-2826-7000 ext.67213
 電子郵件：louiswclo@nycu.edu.tw
 研究專長 : 電影研究、文化與批判理論、城市與建築書寫（電影、攝影、文學）、觀念史、中國古典小説
 教學網頁 : http://louislo.weebly.com/                                                                                                                                                                                                                                                                                                                                                      






 
 



 
學歷 (Academic Qualifications)
  • 2006　香港大學比較文學哲學博士
  • 2001　港大比較文學系文學及文化研究文學碩士
  • 1995　香港理工大學土木工程（榮譽）學士

經歷 (Working Experiences)
  • 2021.8-date　　    陽明交通大學人社院知行藝空間(前藝文中心)主任（陽明校區）
  • 2021.2-2023.2　　陽明交通大學視覺文化研究所副教授兼所長
  • 2021.2-2023.2　　陽明交通大學亞際文化研究國際碩士學位學程（臺灣聯合大學系統）主任
  • 2020.2-2021.1　　陽明大學視覺文化研究所副教授兼所長
  • 2020.2-2021.1　　陽明大學亞際文化研究國際碩士學位學程（臺灣聯合大學系統）主任
  • 2019.8-2020.1　　陽明大學視覺文化研究所副教授兼代理所長
  • 2019.8-2020.1　　陽明大學亞際文化研究國際碩士學位學程（臺灣聯合大學系統）代理主任
  • 2019.2-date　　　陽明交通大學視覺文化研究所副教授
  • 2016.8-2019.1　　臺北科技大學英文系副教授
  • 2011.2-2016.7　　臺北科技大學英文系助理教授
  • 2007.1-2009.8　　香港樹仁大學英文系助理教授
  • 2005.9-2006.9　　香港樹仁學院英文系高級講師
     
榮譽與獎勵 (Honours & Awards)
  • 2022　2022 陽明交通大學（校級）優良教學獎
  • 2017　臺北科技大學陽光獎助金教職員及學生論文獎
  • 2016　臺北科技大學陽光獎助金教職員及學生論文獎
  • 2015　臺北科技大學人文與社會科學學院傑出教學獎
  • 2014　臺北科技大學陽光獎助金教職員及學生論文獎
  • 2013　臺北科技大學陽光獎助金教職員及學生論文獎
  • 1995　第17屆理工文藝創作比賽散文組亞軍
  • 1994　第16屆理工文藝創作比賽散文組亞軍

期刊論文 (Journal Articles)
  • Louis Lo. ‘Always Liminal, Always in Transition: Hong Kong as Staircase City.’ Shima: The International Journal of Research into Island Cultures, vol. 16, no. 1, April 2022: pp. 226-255 (9,000 words, with 21 original photographs taken by Louis Lo) (ESCI; SJR h-index: 4; SCImago: Q1 for Cultural Studies and History). https://shimajournal.org/index.php Reissued in Journal of Taipei Fine Arts Museum 現代美術學報, vol. 48 (December 2024): pp. 83-118 (in Chinese), https://map.tfam.museum/content/JO0048_03
  • Louis Lo. ‘Enduring the Long-take: The Dialectical Image and Tsai Ming-liang’s Stray Dogs (2013).’ CLCWeb Comparative Literature and Culture, Special Issue: Suffering, Endurance, Understanding: New Discourses in Philosophy and Literature, edited by Frank Stevenson, Douglas Berman, and Emily Chow, September 2019, Article 7, pp.1-15 (8,000 words). (A&HCI). https://docs.lib.purdue.edu/clcweb/about.html
  • Louis Lo (50%) and Grace Cheng (50%). ‘Affect in Jia Zhangke’s 24 City (2008).’ Monde Chinois, Nouvelle Asie: Affect et politique dans le cinéma sinophone après 1980 (Special Issue: Politics and Representation in Sinophone Cinema after the 1980s), vol. 57, 2019, pp. 85-103. (Refereed). https://www.cairn.info/revue-monde-chinois-2019-1.htm.­­­­­
  • Louis Lo. ‘Sexual/Textual Tendencies in Selvadurai’s Funny Boy.’ Concentric: Literary and Cultural Studies, vol. 44, no. 2, September 2018, pp. 199-224. (A&HCI and THCI ranked 1st grade in Literature Category II). http://www.concentric-literature.url.tw/
  • Louis Lo (50%) and Jeremy Tambling (50%). ‘How Excess Structures: On Reading Jin Ping Mei.’ Textual Practice, vol. 23, no. 1, 2009, pp. 119-40. (A&HCI).
  • Louis Lo. ‘A New Understanding of Hong Kong and Taiwan New Waves through Elaine Jin, the “Queen of Supporting Actress.”’ Journal of Chinese Cinemas special issue ‘Hidden Luminaries: Obscure Actresses and Women Filmmakers in Chinese Film History’ (A&HCI). (Abstract proposal accepted.)
     
學術專書 (Monographs)​
  • Louis Lo. Male Jealousy: Literature and Film. London: Continuum, 2008. (188 pages.) ISBN 978-0-8264-9955-4.
  • Louis Lo (50%) and Jeremy Tambling (50%). Walking Macao, Reading the Baroque. Hong Kong: Hong Kong University Press, 2009. (259 pages, with 125 colour photographs taken by Louis Lo.) ISBN 978-962-209-938-8p
  • Louis Lo. Baroque Revenge: An Approach to Problems of Modernity. In progress.
  • Louis Lo. The Cinema of Edward Yang. In progess.
 
書章 (Book chapters)​
  • Louis Lo. ‘“Probability and Reality Do Not Always Coincide”: Uncanny Modernity in Kleist’s Michael Kohlhaas.’ The Right to Resist: A Philosophy of Dissent, edited by Thomas Byrne and Mario Wenning, Bloomsbury, 2023, Chapter 9 (pp. 173-190). (ISBN: 9781350265264)
  • Louis Lo. “Edward Yang, Taipei, and Fredric Jameson” (pp. 590-604), “Cities in Hou Hsiao-Hsien’s Cinema” (pp. 380-389), and “Ann Hui’s Cinematics of the Ordinary: July Rhapsody 男人四十 (2002)” (pp. 40-46) in The Palgrave Encyclopedia of Urban Literary Studies, edited by Jeremy Tambling, Palgrave Macmillan, 1st edition, June 2022. (ISBN: 978-3319624204)
  • Louis Lo. ‘A Cinematic Guide to Asian Cities: Taipei, Seoul, and the Cinema of Destruction.’ The Palgrave Handbook of Literature and the City, edited by Jeremy Tambling, Palgrave Macmillan, 2017, pp. 661-72. (12 pages.) ISBN 9781137549105.
  • Louis Lo. ‘Baroque Macao: The City, History and the Dialectical Image.’ Macau – Cultural Interaction and Literary Representation, edited by Katrine Wong and George Wei, Routledge, 2014, pp. 106-20. (15 pages, with 4 B/W original photographs.) ISBN 9780415625869.
  • Louis Lo. ‘Calvino’s and Dickens’s Invisible Cities.’ Dickens and Italy: Little Dorrit and Pictures from Italy, edited by Michael Hollington and Francesca Orestano, Cambridge Scholars Press, 2010, pp. 230-43. (14 pages.) ISBN 9781443814430.
  • Louis Lo. ‘Repetition and Revenge: Reading Edward Yang’s Mahjong (1996) as a Farce.’ Edward Yang, edited by Sing Song-Yong, National Taiwan University Press, 2026 (forthcoming).
     
其他作品 (Other Publications including Works Exhibited or Exhibitions Curated)
(一) 書評 (Book Reviews)​
  • Louis Lo, ‘Review of Barbara Leckie, Open Houses: Poverty, the Novel, and the Architectural Idea in Nineteenth-Century Britain (U of Pennsylvania P, 2018).’ Modern Language Review (MLR) (forthcoming)
  • Louis Lo, ‘Review of Terence Cave, Thinking with Literature: Towards a Cognitive Criticism.’ MLR, vol. 112, no. 3, July 2017, pp. 664-665.
  • Louis Lo, ‘Review of David Palumbo-Liu, The Deliverance of Others: Reading Literature in a Global Age.’ MLR, vol. 109, no. 1, January 2014, pp. 229-231.
  • Louis Lo, ‘Review of David Palumbo-Liu, Bruce Robbins, and Nirvana Tanoukhi (eds.), Immanuel Wallerstein and the Problem of the World: System, Scale, Culture.’ MLR, vol. 107, no. 3, July 2012, pp. 898-900.
  • Louis Lo, ‘Review of Liviu Papadima et al (eds.), The Canonical Debate Today: Crossing Disciplinary and Cultural Boundaries.’ MLR, vol. 107, no. 3, July 2012, pp. 904-905.
  • Louis Lo, ‘Review of David Damrosch (ed.), Teaching World Literature (Options for Teaching).’ MLR, vol. 105, no. 3, July 2010, pp. 818-819. 
  • Louis Lo, ‘Review of William Calin, The Twentieth-Century Humanist Critics: from Spitzer to Frye.’ MLR, vol. 104, no. 3, July 2009, pp. 828-829.
  • Louis Lo, ‘Review of Jonathan Culler, The Literary in Theory.’ MLR, vol. 103, no. 1 January 2008, p. 176.

(二). 攝影作品 (Published Photography)​
  • 11 colour photographs in Louis Lo, “Taipei Make Do” (臺北執生), Light, Shadow, the Everyday: Online Photography Exhibition 《光．影．日常》線上攝影展, Research Institute of the Humanities and Social Science, National Science and Technology Council. https://www.hss.ntu.edu.tw/zh-tw/activity/1184
  • 8 colour photographs in Louis Lo, ‘Always Liminal, Always in Transition: Hong Kong as Staircase City’ (reissued article in Chinese). Journal of Taipei Fine Arts Museum, vol. 48 (December 2024), https://map.tfam.museum/journal/periodical/jourlist
  • 21 colour photographs in Louis Lo, ‘Always Liminal, Always in Transition: Hong Kong as Staircase City.’ Shima: The International Journal of Research into Island Cultures, vol. 16, no. 1, April 2022: pp. 226-255, https://shimajournal.org/article/10.21463/shima.150
  • 4 black-and-white photographs in Louis Lo, ‘Baroque Macao: The City, History and the Dialectical Image,’ Macau – Cultural Interaction and Literary Representation, edited by Katrine Wong and George Wei, Routledge, 2013, pp. 106-120. ISBN 9780415625869.
  • 125 colour photographs in Louis Lo and Jeremy Tambling, Walking Macao, Reading the Baroque, Hong Kong UP, 2009. ISBN 9789622099388.
  • 75 black-and-white photographs in Jeremy Tambling, Going Astray: Dickens and London, Longman, 2008. ISBN 9781405899871.

(三). 電影相關作品 (Film Projects)
  • 2019 《莫失莫忘》(Ways of Losing), 35 min, 彩色Colour, 數碼Digital. 導演Director. Expected March. (In post-production.)
  • 2018.10.15-19 臺北科技大學第一屆電影節：科技與藝術 (1st Taipei Tech Film Festival: Technology and Art. ) 共同策展人(Co-curator). 臺北科技大學藝文中心主辦 (Taipei Tech Art Centre).
  • 2016 《好女子》(Two Women), 35 min, 彩色Colour, 數碼Digital, 導演及編劇Director and screenplay writer. 
  • 2014 《亂語臺北》(Taipei Astray), 33 min, Colour, Digital, Director and screenplay writer. (Invited screening at Nordland Film og Kunstfagskole 20th Anniversary Symposium: The Infrastructure of Life: Media, Milieu, Ethics, Nordland College of Art and Film, Kabelvåg, Lofoton, Norway, 20 Apr 2017.)
  • 2012 《懼城》(Paranoid City), 30 min, 彩色Colour, 數碼Digital, 創作顧問Creative advisor. 
(四). 策展成果 (Curatorial Works)
  • Taste Resilience: Food Art Exhibition (味之韌道： 食物藝術展). Curator. Zhi Xing Art Space, National Yang Ming Chiao Tung University, (with a Food Justice Forum on 20 September with Joanna Wong, Wendy Lai and Kuang-Yi Ku, chaired by Louis Lo), 20 September – 13 October 2024
  • Soft Stone: Stella Chen Solo Exhibition (軟石：Stella Chen 織品藝術個展). Curator. Zhi Xing Art Space (formerly The Arts Center, Yang Ming Campus), National Yang Ming Chiao Tung University, 15 December – 14 January 2024.
  • The Pledge / L’Engagement: Material Computational Art Exhibition (虛構: 物質性演算美學師生聯展). Co-curator. Zhi Xing Art Space, NYCU, 6 October – 1 November 2023.
  • Memory Copies: Wu I-Chien Solo Exhibition (書頁封塵、記憶猶新：吳怡蒨油畫個展). Curator. Zhi Xing Art Space, NYCU, 4 May – 3 June 2023.
  • Seeing through Photography: The Celluloid Art of Chi-Fai Wong and Andy Wu (看透攝影：黃志輝、吳俊輝 - 膠卷藝術展). Co-curator. The Arts Center (Yang Ming Campus), NYCU, 15 November – 30 December 2022.
  • Artists’ Books: Mediating Heterogeneity (書之參贊與超越: 「藝術家的書」 展覧). Co-curator. The Arts Center, NYCU, December 2021.
  • The Body Film Festival (身體電影節). Curator. The Arts Center, NYCU, November 2021.
  • Genetic (R)evolution: BioArt Exhibition (基因革命：科技生物藝術展). Curator. The Arts Center, National Yang-Ming University, 5-30 October 2020.
  • 1st Taipei Tech Film Festival: Technology and Art. Co-curator. The Arts Centre, National Taipei University of Technology, 15-19 October 2018.

(五). 其他創作作品 (Creative Projects)
  • 2018 《玩偶之家：步步高升版》，環境劇場，創作總監，臺北科技大學共同科館一至八樓。A Doll’s House: Step-Up Version. A site-specific play, creative adviser, 1st to 8th Floors, General Studies Building, Taipei Tech.,
  • 2011 《42》，微風吹舞蹈劇場，舞者，香港石硤尾賽馬會創意中心。42, Breeze Across Us, dancer, Jockey Club Creative Arts Centre, Shek Kip Mei, HK.
  • 2010 《六翻自己, 第一回合：環境舞蹈：中環》, 舞者，環境舞蹈劇場，Chloe Wong 編舞，香港中環九號碼頭。Positioning, First Round: Central, a site-specific modern dance choreographed by Chloe Wong, dancer, Central Pier No. 9, HK
  • 2009 《人在旅途灑淚匙》, 雙妹嘜舞蹈劇場, 文學顧問 (aka 勞沒), 香港葵青劇院。 Key to the Strange Realm, Mcmuimui Dance Theatre, literary adviser (aka Mood Lo), Kwai Tsing Theatre, HK

(六). 翻譯作品 (Translation)
  • Louis Lo (勞維俊), Chinese Translation Editor (中文翻譯編輯), Step Up: Hong Kong as Productive Public Space (《拾級：活用香港樓梯公共場所》). Ed. Melissa Cate Christ. Hong Kong: transverse studio, 2018.

研討會論文 (Conference Papers)
30. ‘A Perceptual Acousmatic Reading of Edward Yang’s A Brighter Summer Day (1991).’ Sound on Screen IV Conference. Oxford Brookes University, UK. 24-26 June 2025.
29. ‘Walking Hong Kong.’ Urban Mediations: International Conference on the Narratives, Ecologies, and Poetics of the City. City University of Hong Kong and Chinese University of Hong Kong. 5-6 December 2024.
28. ‘Temporality of Revenge: Kleist’s War Machine and the Baroque Fold.’ The 10th Deleuze and Guattari Studies in Asia Conference, Institute for the Advanced Studies in the Humanities and Social Sciences, National Taiwan University, 28-29 September 2024.
27. ‘The Imperfect Tense: Cinematic Temporality and the 1997 Transition.’ When Hong Kong Studies Go Global, Hong Kong Studies Program, Institute of Sociology, Academia Sinica, Taiwan, 8 December 2023.
26. ‘Countermapping Hong Kong: Border Crossings in Fruit Chan’s “Prostitute Trilogy.”’ Borders in the English-Speaking World: Mapping and Countermapping International Conference, organized by UR SEARCH, University of Strasbourg, France, 9-10 October 2023.
25. ‘Theorizing Revenge: Temporality, Media Culture, and Authoritarianism.’ Theorizing Global Authoritarianism: To Reclaim Critical Theory Against the Grain, organized by the International Consortium of Critical Theory Programs, Center for Cross-Cultural Studies, Kyung Hee University, South Korea, and co-organized by the Asia Theories Network, 9-11 Jun 2023.
24. ‘Anachronistic Thoughts: Memory and History in Too Many Ways to be No.1 (1997).’ Memory: The Figurative and the Captive. Taipei Tech International Conference, organized by the Department of English, National Taipei University of Technology, Taiwan, 21-22 Oct 2022.
23. ‘Questioning Cinematic Time in the Real Time Slow Motion Sequence in Johnnie To’s Three 三人行 (2016).’ ‘Technically Yours’: Technicity, Mediality, and the Stakes of Experience, Department of Foreign Languages and Literatures, National Taiwan University, Taiwan, 18-20 Oct 2019.
22. ‘Ways of Adapting: Logic of Revenge in Damián Szifron’s Wild Tales (2014).’ 2017 International Conference on Cross-Cultural Studies: Intercultural Adaptation, Globalization, and Risk, Fu Jen Catholic University, Taiwan, 6-7 Oct 2017.
21. ‘Contemporaneity in Tsai Ming-liang’s Cinema as Video Installation.’ The 3rd ISAT: Collision, Collaboration and the Future of Artsci, National Cheng Kung University, Taiwan, 14-17 Nov 2016.
20. ‘Island Imaginary in Hong Sang-soo’s Hahaha.’ Island Cities and Urban Archipelagos 2016, University of Hong Kong, 7-12 Mar 2016.
19. ‘Cinema Stripped Bare: The Aesthetics of Vulgar Literalness in Films of Hong Sangsoo.’ Film-Philosophy Conference 2015: The Evaluation of Form, University of Oxford, UK, 20-22 Jul 2015.
18. ‘The Justice of Deconstruction and the Deconstruction of Justice: Billy Budd Before the Law.’ 4th Derrida Today Conference, Fordham University. New York, USA, 28-31 May 2014.
17. ‘The Theatricality of Revenge: Acting, Being, and Performing in Hamlet.’ Shakespearean Journeys: The Inaugural Conference of the Asian Shakespeare Association, organized by Asian Shakespeare Association, Taiwan Shakespeare Association, National Taiwan University, and National Taiwan Normal University, Taipei, Taiwan, 15-18 May 2014.
16. ‘Demolition and Deconstruction: Jia Zhang-Ke’s 24 City二十四城記 (2008).’ City Peripheries/Peripheral Cities Conference: The First International Conference of the Helsinki Literature and the City Network (HLCN). Helsinki, Finland, 29-30 Aug 2013.
15. ‘When Freud Meets Park Chan-wook: Revenge and Psychoanalysis in The Vengeance Trilogy.' Affect, Politics, Psychoanalysis International Conference, National Taiwan University, 21-23 Jun 2013.
14. ‘Beyond Ressentiment: “Feminine” Revenge in The Wings of the Dove.’ International Henry James Conference. Baskent University, Ankara, Turkey, 9-10 May 2013.
13. ‘What’s Wrong with People of the Same Blood Playing Games Together?’: Queering Revenge in Park Chan-wook’s J.S.A.: Joint Security Area.’ Asian Cinema Studies Society Conference, University of Hong Kong. 18-20 Mar 2012.
12. ‘Taking Revenge as Resistance?: Heinrich von Kleist’s Michael Kohlhaas.’ The 1st Macau Philosophy Conference: Rethinking Resistance. Department of History, The University of Macau. 16-18 Dec 2011.
11. ‘A Tale of Three Cities: Ann Hui’s The Postmodern Life of My Aunt 姨媽的後現代生活 (2007).’ Hong Kong: Urban Imagination & Cultural Memory Conference. Organised by the Chiang Ching-kuo Foundation Inter-University Center for Sinolog, Hong Kong Institute of Education, and Chinese University of Hong Kong. 17-18 Dec 2010.  
10. ‘The Psychoanalysis of Revenge’. The 26th International Literature and Psychology Conference. University of Viterbo, Italy. 1-6 Jul 2009.
9. ‘Baroque Macao: The City in History and Photography.’ First International Interdisciplinary Conference on Macau Studies: Intercultural Exchanges between East and West. The History Department, University of Macau. 25-27 May 2009.
8. ‘Reading Dickens, Photographing London.’ Literary London: Representations of London in Literature. Brunel University, Kingston University, and University of Northampton. 2-4 Jul 2008.
7. ‘Folding Architecture, Reading Henry James’s The Aspern Papers.’ Interpreting Architecture: 7th Prague Interpretation Colloquium. Charles University, Prague. Jun 14-15, 2008.
6. ‘Robotic Vengeance: Apathy and the Technovisual in Park Chan-wook’s I’m a Cyborg, but That’s OK.’ Technovisuality and Cultural Reenchantment International Conference, co-organized by The Chinese University of Hong Kong and Hong Kong Shue Yan University, HK, 21-22 Nov 2008.
5. ‘Calvino’s and Dickens’s Invisible Cities.’ Dickens, Victorian Culture, Italy. Universities of Genova and Milan, Italy. 13-17 Jun 2007.
4. ‘Fragmenting Sexuality, Queering National Identity: Reading Selvadurai’s Funny Boy.’ Journal of South Asian Popular Culture: 3rd International Conference. University of Manchester, UK. 27-28 Jun 2006.
3. ‘Ethics of Incest: Revenge in Park Chan-wook’s Oldboy (2003).’ The Film Scene: Cinema, the Arts, and Social Change. Organized by the Film Culture Project of the Department of Comparative Literature, the Department of Music, and the Centre of Asian Studies, HKU. 21-22 Apr 2006.
2. ‘“Your Life Didn’t Belong to You”: Jealousy in Almodóvar’s Live Flesh (1997).’ Rhetoric, Politics, Ethics. Organized by the Flemish Research Council, and Ghent University, Belgium, 21-23 Apr 2005.
1. ‘Gilda (1946) and Jealousy.’ Hong Kong/Hollywood at the Borders: Alternative Perspectives, Alternative Cinemas. Organized by HK Fulbright Program, the Hong Kong-American Centre, the Hong Kong Film Archive, the Centre for Asian Studies, the American Studies Program, and the Department of Comparative Literature of HKU, 2-5 Apr 2004.

科技部計劃 (MOST Research Project)​
  • 2025.08-2028-07  復仇巴洛克:現代性問題解探(從莎士比亞到柯洛里·法吉特）‘Baroque Revenge: An Approach to Problems of Modernity (Shakespeare to Coralie Fargeat)‘
  • 2023.08-2025.07   楊德昌電影研究：影像與哲學 ‘The Cinema of Edward Yang: Image and Philosophy‘
  • 2021.08-2023.07    後一九九七香港電影中之時間觀念：政治與美學 ‘Temporality in Post-1997 Hong Kong Cinema: Politics and Aesthetics’
  • 2020.08-2021.07    華語電影中的時間性(I) ‘Temporality in Sinophone Cinema (I)’ 
  • 2014-2015              電影剝落：洪尚秀的庸俗字面化美學 ‘Cinema Stripped Bare: The Aesthetics of Vulgar Literalness in Films of Hong Sangsoo’
     
其他計劃 (Other Grants)​
  • May - Dec 2024    Hong Kong Study Group - Internationalization Project, College of Humanities and Social Sciences, NYCU, NTD 380,000.
  • 2013-2014    印象臺北短片製作 ‘Framing Taipei’ - a film production project
  • 2014             法律丶公義丶解構: 比利拔於法之前, 臺北科技大學人文與社會科學學院 ‘Law, Justice and Deconstruction: Billy Budd Before the Law’ Research Project, School of Humanities and Social Sciences, Taipei Tech.
  • 2013             亨利詹姆的《鴿之翼》中復仇意象, 臺北科技大學人文與社會科學學院 ‘Revenge in Henry James’s The Wings of the Dove’ Reaserch Project School of Humanities and Social Sciences, Taipei Tech.
  • 2012             海因里希·馮·克萊斯特《米迦勒·寇哈斯》中的復仇與公義, 臺北科技大學人文與社會科學學院 ‘Revenge and Justice in Kleist’s Michael Kohlhaas’ Reaserch Project School of Humanities and Social Sciences, Taipei Tech.

教授課程 (Courses Taught)
(一) 陽明大學
　　I. 研究所課程
　　　1. 影像媒介文化 Visual Media and Cultures
　　　2. 專題討論：視覺社會史/學（合開）Seminar: Visual Sociology / Social History (co-taught)
            3. 動態影像的思考 Thinking with Moving Images
            4. 楊德昌電影研究：影像與哲學 Cinema of Edward Yang: Images and Philosophy
            5. Film and Literature: An Intermedial Approach
　　II. 核心通識課程 General Education (Core)
　　　1. 華語電影導論 Introduction to Sinophone Cinema
            2. 香港文化導論 Introduction to Hong Kong Culture
            3. 那些動物教我的事 Things We Learned from Animals (跨領域通識)
            4. A Cross-disciplinary Introduction to Ideas of Time
　　III. 醫學人文課程 Medical Humanities
            1. 電影與文學中的疾病呈現 Representing Illness in Cinema and Literature

(二) 臺北科技大學英文系 Department of English, National Taipei University of Technology
　　I. 研究所課程 Postgraduate level
　　　1. 文學與改篇電影 Literature and Film Adaptation
　　　2. 閲讀城市文化 Reading the City
　　　3. 科技與現代文學 Technology and Modern Literature 
　　　4. 文學與批評理論應用專題: 電影與文學中的復仇 Special Topic in Literary and Critical Theory: Revenge in Film and Literature
　　　5. 當代文學 Contemporary Literature
　　　6. 論文寫作導論 Introduction to Thesis Writing 
　　II. 大學本科課程 Undergraduate level
　　　1. 電影與文學 Film and Literature
　　　2. 英國文學 British Literature
　　　3. 世界文學與文化 World Literatures and Cultures
　　　4. 英文進階課程：藝術與人生 Advanced English in Practice: Art and Life
　　III. 大學英文課程 Multipurpose English
　　　1. 英語電影研究 English Film Studies
　　　2. 英文與城市 English and the City
　　　3. 英文與批判思考 English and Critical Thinking
 
 論文指導 (Theses Supervised)
  • 2025. Sergey Zanchevskii, ‘One and Many: Individual Testimony and Collective Memory in Wang Bing’s Fengming: A Chinese Memoir and Dead Souls,’ 陽明交通大學亞際文化研究國際碩士學位學程
  • 2024. Walter Hua-te Ge, ‘“Making Oddkin”: Reading My Octopus Teacher and Grizzly Man as Visual Symbiographies,’ 陽明交通大學視覺文化研究所
  • 2022. Daniel Ding, ‘Three Types of Invisibility: Johnnie To’s PTU (2003) and the City of Anamorphosis,’ 陽明交通大學視覺文化研究所
  • 2021. Hannah Yi-Ting Huang, ‘A Philosophical Analysis of Punishment in the Films of Kieslowski, Oshima, and Von Trier,’ 臺北科技大學英文研究所（與Thomas Wall以及Claire Chen聯合指導）
  • 2019. Catherine Lo, ‘Female Voice and a Cinema of Survival in Hou Hsiao-hsien’s Good Man, Good Woman (好男好女) (1995),’ 臺北科技大學英文研究所（與Thomas Wall聯合指導）
  • 2019. Luke Nolan, ‘Waste, Death, and Abjection in Dickens’s Our Mutual Friend’，臺北科技大學英文研究所（與 Thomas Wall聯合指導）
  • 2018. Sophie Su, ‘Cinematic Gaze and Voyeurism in Michael Powell’s Peeping Tom (1960),’ 臺北科技大學英文研究所
  • 2017. Serene Lin, ‘Role-Playing, Androgyny, and Gender Identity in Shakespeare’s Twelfth Night,’ 臺北科技大學英文研究所
  • 2016 Jessica Liou, ‘Life is an Opera: Self-reflexivity and Confession in Machado de Assis’s Dom Casmurro,’ 臺北科技大學英文研究所
  • 2016 Cindy Li, ‘Wounded Photograph: Death and Trauma in Park Chan-wook’s JSA (2000),’ 臺北科技大學英文研究所
  • 2015 Adeline Lin, ‘The Unwelcome Tenants: Family, Art, and Politics in Visconti’s Conversation Piece (1974),’ 臺北科技大學英文研究所
  • 2014 Christina Liu, ‘An Anatomy of Sympathy: from Oscar Wilde to Lars von Trier,’ 臺北科技大學英文研究所
  • 2014 Casey Hsu, ‘Ophelia Reimagined: Representations of Female Suicide in Ibsen’s Plays,’ 臺北科技大學英文研究所
  • 2014. Belinda Chen, ‘Reading Time in Edward Yang's The Terrorizers (恐怖份子) (1986),’ 臺北科技大學英文研究所
  • 2013. Serena Hsieh, ‘Desiring Narrative, Narrating Desire in Fitzgerald's Great Gatsby,’ 臺北科技大學英文研究所

學術服務 (Academic Services)
I. 獲邀之學術演講 (Invited Keynote Speeches and Academic Seminars)​
Academic Conference Keynotes and Pre-conference Workshops:
3. ‘Art & Cartography: Mapping the Hong Kong City-Image.’ (Pre-conference walking workshop). The Frist Asian Cartographic Conference 2024, organized by The International Cartographic Association and the Hong Kong Polytechnic University, Hong Kong. 8-10 Dec 2024, forthcoming.
2. ‘Taiwan – Some “Roadside” Observations.’ (Pre-conference seminar talk.) Academic Prospects: On Surviving and Thriving as International Faculty in Taiwan. Chaired by Guy Beauregard; co-speakers: Lilith Acadia, Manuel Herrero-Puertas, Se Hoon Choi, Hannes Bergthaller, Amie Parry, Hsinya Huang. Annual Meeting of the American Comparative Literature Association (ACLA), National Taiwan Normal University, 15-18 Jun 2022 (online at 08:30 am–10:15 am Taipei Time. 16 Jun 2022). 
1. ‘Traversing the Islands: Setouchi as a Case Study’ (Keynote speech, with Grace Cheng). Nordland Film og Kunstfagskole (Nordland College of Art and Film) 20th Anniversary Symposium: The Infrastructure of Life: Media, Milieu, Ethics. Nordland kunst-og filmfagskole. Kabelvåg, Lofoton, Norway. 20-21 Apr 2017.

Invited Symposia and Seminars:
14. ‘Walking Happy Valley: Phantasmatic Thoughts and Historicity.’ (Seminar talk). Theory Talks, College of Liberal Arts, National Taiwan University, 20 Sep 2025.
13. ‘The Generativity of Revenge: Gifting in Coralie Fargeat’s Cinema.’ (Symposium speech). Asia Theories Network Workshop Taipei December 2024: 6G: Genesis, Generativity, Gender, Genetics, Genealogy, Genocide. National Taiwan University, Taiwan. 13-15 Dec 2024.
12. ‘AI and Revenge, or, How to Repeat Differently?’ (Symposium speech). Asia Theories Network Workshop Taipei June 2024: AI: Facts, Fantasies, Fabrications, National Taiwan University, Taipei, Taiwan, 21-22 Jun 2024.
11. ‘Baroque Revenge: From Shakespeare to Park Chan-wook.’ (Seminar talk). Institute of European and American Studies, Academia Sinica, Taiwan. 30 Apr 2024.
10. ‘Baroque Revenge: An Approach to Problems of Modernity.’ (Symposium speech). Theory Talks. College of Liberal Arts, National Taiwan University. 23 Dec 2023.
9. ‘Eternal Return and Excess in Asian Cinema’ (Seminar talk). Suà: Theory Camp of Taiwan Humanities Society, Taiwan. 13 Sep 2020.
8. ‘A Cinematic Guide to Asian Cities: Taipei, Seoul, and the Cinema of Destruction.’ (Seminar talk). Centre of Taiwan Studies, SOAS (School of Oriental and African Studies), University of London, UK. 5 Nov 2018.
7. ‘Issue of Researching and Teaching English and American Literature in Taiwan’ (Discussant), Ministry of Science and Technology Forum. Department of Foreign Languages and Literatures, National Chung-hsing University, Taichung, Taiwan. 12 Oct 2018. 
6. ‘Always Liminal, Always in Transition: Reading Hong Kong as a Staircase City’ (Seminar talk). Hong Kong Studies Initiative, University of British Columbia, Vancouver, Canada. 9 Feb 2018. 
5. ‘Enduring the Long Take: Tsai Ming-liang’s Stray Dogs and the Dialectical Image’ (Seminar talk). Taiwan Studies Group, Simon Fraser University, Vancouver, Canada. 5 Feb 2018.  
4. ‘Taiwanese Cinematic Images’ (Seminar talk). Seminar of Aesthetics. Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, Norway. 26 Apr 2017. 
3. ‘Revenge and Forgiveness in Hamlet and other Shakespeare’s Revenge Plays’ (Seminar talk). Division of Applied Translation Studies, United International College (Beijing Normal University – Hong Kong Baptist University), Zhuhai, China. 18 Oct 2013.
2. ‘“Some things you have to do yourself”: Measure for Measure and Dogville’ (Seminar talk). Department of English Language and Literature, Hong Kong Baptist University, Hong Kong. 23 Mar 2009.
1. ‘Jealousy in The Dream of the Red Chamber’ (Seminar talk). Contemporary China Research Centre, Hong Kong Shue Yan University, Hong Kong. 4 Dec 2008.

II. 學術服務 (Academic Services)
Committees (Professional)
Editorial Advisory Board member                                                                                         
  • 現代美術學報                                                                                                                                 9/2023 – 8/2027
    •         (awardee of 國家圖書館2024年「期刊即時傳播獎-熱門組」獎項)
    •         (Issues 47 and 48: 臺北市政府評比為「政府出版品年度優良期刊」)
Soochow Journal of Foreign Languages and Literatures (東吳外語學報)                   8/2022 - date
  • Journal of Literature and Film (Korean Association of Literature and Film)      8/2021 - date
National Science and Technology Council Review Committees
  • Taiwanese Overseas Pioneers Grants (海外人才培育計畫初審委員)                       Spring/2023
  • Research Project Grants, NSTC (專題研究計畫初審委員)                                            Spring/2023
  • Undergraduate Students Research Scholarship (大專學生研究計畫初審委員)  Spring/2021
Jury for                                                                                                                 
  • Audio-visual Art Project Grants, The Department of Cultural Affairs, Taipei City Government (臺北文化局藝文補助【影音藝術類】)  1/2022, 6/2022, 6/2024
  • S-An Arts Awards (Thesis on the Arts) (世安美學獎 (美學論文類))                       2020, 2022     
  • 1st-3rd Photography Competition, The Arts Centre, Yang-Ming University   2019-2021
  • English Speech Competition, TAIPEI TECH                                                                    2012 - 2014
  • The 1st Labour Documentary Film Festival, TAIPEI TECH                                        12/2017
  • ‘Apart from Bidding Farewell’ Photography Competition, TAIPEI TECH             2015-2016
Campus Signage System Committee, NYCU                                                                                   Fall 2022
Identification System Task Force for the merger of NYCU                                                        2020-2021
External Reviewer for Academic Journals:                                                                                       2/2011 - date
  •  Theory, Culture & Society
  • Textual Practice
  • Concentric: Literary and Cultural Studies
  • Chung Wai Literary Quarterly (中外文學)
  • Ex-Position (Formerly NTU Humanitas Taiwanitas)           
  • The Wenshan Review of Literature and Culture
  • Intergrams: Studies in Languages and Literatures
External Reviewer for Curriculum Committee
  • Department of English, Heng Seng University of Hong Kong                                  Spring 2024
External Examiner for MA dissertations                                                                                             2013 - date
Graduate Institute of Taiwan Literature, National Taiwan University
Graduate Institute of Art History, National Taiwan Normal University
Graduate Institute of European Cultures and Tourism, National Taiwan Normal University
Institute of Music, National Chiao-tung University
Department of English, National Chan-hua University of Education 
Department of Foreign Languages and Literatures, National Chung-hsing University
Editorial Committee, Journal of National Taipei University of Technology                           8/2012 - 7/2014

Committees (Administrative)
General College Committee                                                                                                                      8/2025 – date
  • College Humanities, Arts, and Social Sciences, NYCU
Excellent Alumni Section Committee
College Humanities, Arts, and Social Sciences, NYCU                                                                 8/2025 – date
Yang Ming Humanities and Social Sciences Seminar Award Selection Committee         2/2020 – 1/2024
University-level Cinematic Theater Management Committee, NYCU                                    2/2022 - date
Space and Facility Management Committee,
  • College of Humanities and Social Sciences, NYCU                                                        8/2019 – 7/2025
Faculty Review Committee,
  • Institute of Visual Studies, NYCU                                                                                           2/2019 – date
Faculty Review Committee,
  • College of Humanities and Social Sciences, NYCU                                                         2/2019 – 1/2023
Curriculum Committee,
  • Institute of Visual Studies, NYCU                                                                                            2/2019 – date
Curriculum Committee,
  • College of Humanities and Social Sciences, NYCU                                                          2/2019 – 1/2023
Admission Committee, Institute of Visual Studies, NYCU                                                              2/2019 – date
Faculty Review Committee, Department of English, TAIPEI TECH.                                            8/2017 – 1/2019
Curriculum Committee, Department of English, TAIPEI TECH                                                      8/2017 – 1/2019
MA and BA Admission Committees, Department of English, TAIPEI TECH                             8/2011 – 1/2019

III. 公開講座 (Invited Public Talks)
  • ‘Love and Hypocrisy in Edward Yang’s A Confucian Confusion.’ Écrans philosophilques Lecture Series 15 (Spring 2022): Love in the Making, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 18 March 2022.
  • ‘Sacred Soil, Holy Whore: The Oceanic in Fruit Chan’s Three Husband.’ Écrans philosophilques Lecture Series 14 (Fall 2021): Sacred Soils, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 20 December 2019.
  • ‘Hong Sang-soo’s Auteurism in Right Now, Wrong Then (2015).’ (with Grace Cheng.) Écrans philosophilques Lecture Series 12 (Fall 2019): After the End, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 20 December 2019.
  • ‘Reading the Spatial Unconscious in Jia Zhangke’s Still Life (三峽好人) (2006).’ Écrans Philosophiques Lecture Series Spring 2019: Future of Environment and Environment of the Future, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 11 Jan 2019.
  • ‘Understanding Repetition in Hong Sang-soo’s The Day He Arrives (2011).’ Écrans Philosophiques Lecture Series Fall 2019: ‘Eternal Return,’ 11 Jan 2019.
  • ‘ “What’s in a Name”: Tracing the Meanings of “Kong Girls,” ’ English Corner, Department of English, National Taipei University of Technology, 13 Jun 2018.
  • ‘ “Do you understand your sin?”: Revenge and Justice in Jia Zhanghe’s A Touch of Sin (天注定) (2013),’ Écrans Philosophiques Lecture Series Spring 2018: Resistance and Revolt, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 8 Jun 2018.
  • ‘Cantonese and English in Post-1997 Hong Kong Cinema: Jonnie To’s PTU (PTU機動部隊) (2003) and Office (華麗上班族) (2015),’ English Corner, Department of English, National Taipei University of Technology, 27 Dec 2017. 
  • ‘Allegory and the Third Amigos in Wong Kar-wai’s Happy Together (春光乍洩) (1997),’ Écrans Philosophiques Lecture Series Fall 2017: Filmer l’autre, organized by the Museum of National Taipei University of Education and Paris Collège International de Philosophie, 1 Dec 2017.
  • ‘Understanding Hong Kong History through Place-names,’ English Corner, Department of English, National Taipei University of Technology, 8 Jun 2017. 
  • ‘The Sacred and the Secular’ (walking lecture), Exhibition: Always at the Edge of Things and between Places, Kennedy Town and Sai Ying Pun, Hong Kong, 27 May 2017.
  • ‘Take a Festival Walk’ (a shopping mall walking lecture), organized by Wandering Scholars, at Festival Walk, Kowloon, Hong Kong, 30 May 2015.
  • ‘Gender, Politics, Gender Politics,’ Hong Kong Association of University Women, Hong Kong Polytechnic University, 28 Mar 2015. (In Chinese 中文演講)
  • ‘Life and Art: How to Live Poetically?’ Public talk held at TAD Art District Festival, Taiwan, 9 Nov 2014. (In Chinese and English)
  • ‘Doing Talking: The Compulsivity in von Trier’s Nymphomaniac,’ Broadway Cinematheque, Hong Kong, 4 May 2014. (In Chinese 中文演講)
  • ‘The Trial: Kafka and Orson Welles,’ English Reading Club, National Taipei University, Taiwan, 7 May 2012.
  • ‘Memory and Time in Angelopoulos’s Ulysses’ Gaze and Eternality and a Day,’ Broadway Cinematheque, Hong Kong, 19 Mar 2012. (In Chinese中文演講) 
  • ‘Dreams of the Dark Chamber: In Memory of Satoshi Kon,’ Broadway Cinematheque, Hong Kong, 30 Nov 2010. (In Chinese中文演講)
  • ‘Love and Desire: The Go-Between,’ Philosophy Talk, Hong Kong Central Library, 8 Oct 2010. (In Chinese中文演講)
  • ‘The Living Split: Jia Zhang-Ke’s 24 City (二十四城記) (1993).’ HKICC Lee Shau Kee School of Creativity, 28 Aug 2010. (In Chinese中文演講)
  • ‘Mourning and Music in Kieslowski’s Blue (1993),’ Contemplating Life and Death, The Society of Life and Death Education, Hong Kong, 8 May 2010. (In Chinese中文演講)
  • ‘Time and Death in Angelopoulos’s Eternality and A Day (1998),’ Diploma in Philosophy, HKU SPACE, 24 Apr 2010. (In Chinese中文演講)
  • ‘Vampirism: The Return of the Undead,’ Broadway Cinematheque, Hong Kong, 24 Apr 2010. (In Chinese中文演講)
  • ‘The Literary in Film and the Filmic in Literature: On Ang Lee’s Lust, Caution (色．戒) (2007),’ Integrated Learning Program. Lingnan University, Hong Kong, 7 Feb 2010. (In Chinese中文演講)
  • ‘The Monster and Cultural Studies: On Cheang Pou-soi’s Home Sweet Home (怪物) (2005),’ Cultural Studies Public Lecture. School of Humanities and General Education, CUTW Community College, Hong Kong, 4 Dec 2009. (In Chinese中文演講)
  • ‘From Márquez’s Strange Pilgrim to Mcmuimui’s Key to Strange Realm: from Literature to Dance Theatre’. Hong Kong Cultural Centre, 17 Oct 2009. (In Chinese中文演講)
  • ‘On Red Balloon and White Mane, Breathless, Labyrinth of Passion, and Blow Up’ (4 post-screening talks). Modern Classics. Broadway Cinematheque, Hong Kong, 21 Dec 2008 -17 Jan 2009. (In Chinese中文演講)
  • ‘The Return of the Algierian in Caché (2005)’. Broadway Cinematheque, Hong Kong, 20 Jul 2008. (In Chinese中文演講)
  • ‘Cinema and Philosophy’. Philosophy, Art and Life. Organized by the Department of Philosophy, Chinese University of Hong Kong and Philosophia Cultural Society. Hong Kong Cultural Centre, 27 Jul 2007. (In Chinese中文演講)
  • ‘Being Out of Time in Wong Kar Wai’s 2046’. Technoscience and Films. Organized by The Moving Images Society, Hong Kong Shue Yan University, 2 Apr 2007.
  • ‘Lust and Love’. Philosophical Vaccination for Love Influenza. Integrated Learning Program. Lingnan University, Hong Kong, 7 Mar 2006. (In Chinese中文演講)
  • ‘Reading Intersection (對倒) Writing’. Writing and Reading. Organized by Hong Kong Central Library and The Young Writers’ Society, 21 May 2005. (In Chinese中文演講)
  • ‘Spike Jonze’s Adaptation (2002): Writing and Cinema.’ Literature and Film. Organized by Hong Kong Central Library and The Young Writers’ Society, 15 May 2004. (In Chinese中文演講)
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