王潔瑩 助理教授
王潔瑩
職稱：助理教授
職稱：助理教授
聯絡電話 : 02-2826-7000 ext.67131
電子郵件 : klavierwang@nycu.edu.tw
研究專長 : 亞美影像與媒體，錄像文化與藝術，視覺技術發展，媒介物質性，影像典藏與修復，香港電影研究
NYCU Academic Hub : https://scholar.nycu.edu.tw/zh/persons/klavier-wang 學歷 (Academic Qualifications)
- 2021 紐約大學蒂勢藝術學院影像典藏與修復碩士
- 2015 香港浸會大學傳播學哲學博士
- 2013 中央研究院社會學研究所青年訪問學者
- 2011 香港浸會大學傳播學哲學碩士
- 2009 香港中文大學全球全播文學碩士
- 2008 中山大學公共關係管理學士
經歷 (Working Experience)
- 2022.2 – date 國立陽明交通大學視覺文化研究所助理教授
- 2021.9 – 2022.2 美國蓋提基金會蓋提博物館數位部軟體架構與用戶體驗設計師
- 2021.6 – 2021.8 國家電影與視聽文化中心電影數位修復助理
- 2021.1 – 2021.4 美國紐約大學圖書館特藏部影音典藏專員
- 2016.3 – 2018.8 香港教育大學香港研究學院博士後研究員
- 2014.3 – 2018.8 分別於香港大學、香港理工大學、香港浸會大學擔任兼任教授
榮譽與獎勵 (Honours & Awards)
- 2024. 3 - 5 紐約大學Asian/Pacific/American Institute 訪問學者（獲選）
- 2024 112學年度國立陽明交通大學人文與社會科學院優良教學獎
- 2019 – 2021 香港特別行政區政府卓越獎學金
- 2019 – 2021 美國紐約大學蒂勢藝術學院獎學金
- 2020 美國環球影業電影典藏獎學金
- 2017 歐洲台灣研究協會「青年學者」首獎
期刊論文 (Journal Articles)
- Wang, Klavier. “Discovering, Describing and Digitising CCTV: Challenges and Attempts of Making New York Chinatown’s Community Television Archive Accessible.” Journal of Digital Media Management 10, no.1 (2021): 34-46.
- Wang, Klavier. “Mobilizing Resources to the Square: An Exploration of Hong Kong's Anti-moral and National Education Movement.” International Journal of Cultural Studies 20, no. 2 (2017): 127-45.
- Wang, Klavier. “Beyond information: The Socio-cultural Role of the Internet in the 2008 Sichuan Earthquake.” Journal of Comparative Asian Development 9, no. 2 (2010): 243-92.
專書著作 (Monographs)
- Wang, Klavier. Hong Kong Popular Culture - Worlding Film, Television and Pop Music. Singapore: Palgrave Macmillan, 2020.
專書論文 (Book Chapters)
- (forthcoming) Wang, Klavier. “Creating Something out of Nothing－Chinese Cable Television (CCTV, 1975 —1983) as the First Asian American Public Access Television.” In Chinese American Cinema Anthology, edited by M. F. Yip, P. Fu and B. Hu, Oxford University Press.
- (forthcoming) Wang, Klavier. “Rising on the Horizon－Diffusion of Early Video Culture in Hong Kong.” In Anthology on East Asian Media and Creative Industries, edited by E. Y. Yeh, D. Davis, and Jacks W.
- Wang, Klavier and Alice Lee. “Youth People’s Media Use and Social Participation in Hong Kong: A Perspective of Digital Use Divide.” In Stories from Inequity to Justice in Literacy Education－Confronting Digital Divides, edited by E. Morrell, and J. Rowsell, 110-29. London & CA: Routledge, 2021.
- Wang, Klavier and Stephanie Ng. “Our Little Twins Stars: Conglomerate-catalyzed Cross-media Stardom in the New Millennium.” In Made in Hong Kong: Studies in Popular Music, edited by A. Chik, and A. Fung, 157-67. London & CA: Routledge, 2020.
- Wang, Klavier. “China’s Influence on Hong Kong’s Entertainment Industry: Lessons from Film Production.” In China’s Influence and the Center-periphery Tug of War in Hong Kong, Taiwan, and Indo-Pacific, edited by B. Fong, J. Wu, and A. Nathan, 139-54. London & CA: Routledge, 2020.
- 2018年，王潔瑩，〈鏡頭下和政局裡的社會運動：香港台灣比較研究〉，鄭煒、袁瑋熙編，《社運年代：香港抗爭政治的軌跡》，香港香港中文大學出版社，頁159-178。
- Wang, Klavier, Eliz Wong, and Hope St. John. “Touching A Nerve: A Discussion on Hong Kong's Umbrella Movement.” in Protest Camps in International Context: Spaces, Infrastructures and Media of Resistance, edited by G. Brown, A. Feigenbaum, F. Frenzel, and P. McCurdy, 109-34. Bristol, UK: The Policy Press, 2017.
學術書評 (Book Reviews)
- Wang, Klavier. Review of Meeting Place: Encounters across Cultures in Hong Kong, by Elizabeth Sinn and Christopher Munn eds., The China Review 19, no. 3 (2019): 186-89.
- Wang, Klavier. Review of Taiwan and the China Impact, by Gunter Schubert ed., International Journal of Taiwan Studies 1, no. 2 (2018): 402-3.
- Wang, Klavier. Review of Hong Kong in the Cold War, by Priscilla Roberts and John M. Carroll ed., The China Review 18, no. 4 (2018): 155-7.
過去五年發表之研討會論文 (Conference Papers from the Last Five Years)
- Klavier Wang, “Signal from Hong Kong to the United States—America’s first Asian-American public access television CCTV (1975-1983)”, paper presented at the Society for Hong Kong Studies (SHKS) annual conference, Hong Kong: July 4-5, 2025.
- Klavier Wang, “The making of video city in Hong Kong - A media archeology perspective, 1960s - 1990s”, paper presented at the Hong Kong Studies Association (HKSA) annual conference, Cardiff, UK: June 13-14, 2025.
- Klavier Wang, “Engage a historical case study into theoretical discussion–Perspectives from the first Asian American public access television”, paper presented at the Asian American Media Lab summer workshop, Wisconsin-Madison, USA: June 6, 2025.
- Klavier Wang, “Video City, Video Stratum: Unearthing Video Infrastructure and Culture in Hong Kong, 1970s-1990s,” in the Urban Mediations: International Conference on the Narratives, Ecologies, and Poetics of the City Conference, Hong Kong, Hong Kong, December 5-6, 2024.
- Klavier Wang, “Rising on the Horizon－Diffusion of Video Culture in Hong Kong in the 1960s - 1980s,” in the Society for Hong Kong Studies Annual Conference, Hong Kong, Hong Kong, June 14-15, 2024.
- Klavier Wang, “‘Chinese Compatriots Home and Abroad, This is CCTV’: The Making of the First Chinese-Language Television in the US, 1970s,” in Association of Asian American Studies Annual Conference, Seattle, USA: April 15-17, 2024.
- Klavier Wang (co-authored with Yen Yung-cheng), “Unveiling the True Face of a Parade: Formosa Outtakes from the Fox Movietone News collection,” in Orphan Film Symposium, New York, USA, April 10-12, 2024.
- Klavier Wang, “From Ethnic Media to Activism Media: Making America’s First Asian American Television in the 1970s,” in Society of Cinema and Media Studies Annual Conference, Boston, USA, March 14-17, 2024.
- Klavier Wang, “The Missing Noise－Guerrilla Television Project by Asian in America in 1970s-80s,” in International Association of Media and Communication Research Annual Conference, Lyon, France, July 9-13, 2023.
- Klavier Wang, “Hong Kong Co-Production Film under CEPA and Beyond: History, Praxis and Resistance in the Field,” in Society for Hong Kong Studies Annual Conference, June 24-25, 2022.
- Klavier Wang, “‘We Won’t Move!’: Describing and Digitizing CCTV, Chinatown’s Public Access Television,” in Association of Moving Image Archivists Annual Conference, online: Nov. 17-20, 2020.
- Klavier Wang, “Awakening Voices from Immigrants－Historical Research and Screening of CCTV Programs from 1970s-80s Manhattan Chinatown,” in Orphan Film Symposium, online, May 23-27, 2020.
- Klavier Wang, “Spiral of Forces, Tug of War: China influences in Hong Kong Film Industry under CEPA,” in International Communication Association Annual Conference, Washington D. C., May 24-28, 2019.
國科會計畫 (NSTC Reasearch Project)
- The Missing Noise: Guerrilla video and guerrilla art by Asian in America in the 1960s-1980s (消失的噪音：一九六零至八零年代在美亞裔的游擊錄像與游擊藝術)
NSTC112-2410-H-A49-001-MY2
2023. 2. 1 — 2025. 1. 31
- Rising on the Horizon - Video culture in 1980s-90s Hong Kong (當錄像媒介躍升之時：1980-1990年代香港錄像文化之初探)
NSTC112-2410-H-A49-038-MY2
2023. 8. 1 — 2025. 7. 31
教授課程(Courses Taught)
教授課程(Courses Taught)
研究所課程 (Graduate courses)
- 影像媒介文化 (Visual Media and Cultures)
- 錄像技術、文化與藝術 (Video Technology, Culture and Art)
- 流動影像技術歷史、文化與典藏 (Moving Image Technology, Culture and Preservation)
- 專題討論：視覺社會史/學（合授） (Co-teach Seminar: Social History and Sociology of Visual of Visual Cultures
大學部核心通識課程 (Undergraduate courses)
- 達文西的世界·世界的達文西 （合授） (Co-teach The World of Leonardo da Vinci)
- 香港電影導論 （英文課程） (English course Introduction to Hong Kong Cinema)
學生畢業論文指導 (Theses supervision)
- 張晉瑋 (進行中)：部署觀看：農復會巡映電影的視覺性與映演機制（1951-1963）
- 郭柏賢 (進行中)：論南韓勞工新聞製作團1990年代的游擊影像革命
- 陳君亮 (進行中)：臺灣當代陶藝中的怪物與跨物種想像
電腦編程語言 (Programming Languages)
- Python, Bash, HTML, MySQL
電影修復與影音典藏應用軟體 (Film Restoration Software & Audiovisual Editing Software)
- Diamant, Davinci Resolve, Pro Tools, iZotope RX, FFmpeg, Adobe Premier, MediaArea, BagIt, ArchivesSpace, CollectiveAccess, Omeka
